Zoom B9.1ut Bedienungsanleitung PDF herunterladen

BASS EFFECTS CONSOLE

REAR PANEL

21 AMP / STOMP BOX MODELS

EFFECT LIST

B9.1ut SPECIFICATIONS

COMP

Compressor Dual Comp

M Comp Limiter

WAH/EFX1

Auto Wah Auto Resonance

Auto Filter Octave

Tremolo 4 Stage Phaser

8 Stage Phaser Fixed Phaser

Ring Modulator Defret

Slow Attack Splitter

Vox Wah Bass Wah

Pedal Resonance X

Wah

Phaser X

Vibrato

MOD/EFX2

Chorus Stereo Chorus

Detune Modulation Delay

Flanger Pitch Shifter

Pedal Pitch Vibrato

Step Delay

Tape Echo Dynamic Delay

Dynamic Flanger Mono Pitch

Harmonized Pitch Pedal Mono Pitch

Cry Reverse Delay

Bend Chorus Comb Filter

Air Auto Wah

Auto Resonance Auto Filter

Echo X

Flanger

Step Z

Step

Pitch Z

MonoPitch

Talking

DELAY

Delay Ping Pong Delay

Echo Ping Pong Echo

Analog Delay Reverse Delay

Air Loop

Sound On Sound

REVERB

Hall Room

Spring Arena

Tiled Room Modern Spring

Early Reﬂection Multi Tap Delay

Pan Delay Ping Pong Delay

Ping Pong Echo Auto Pan

Delay Z

Dimension

Tornado

PREAMP

Ampeg SVT Super Bass

SWR Ampeg B15

Acoustic Aguilar

Bassman Hartke

Polytone G-Krueger

Trace WalterWds

Tube Pre Sans Amp

TS9 ODB

MXR D.I.+ Fuzz Face

Metal Zone Big Muﬀ

Digi Fuzz Standard Synth

Synth Talk Vintage Synth

Mono Synth 4 Voice Synth

Pedal Synth

6 Band Semi-Parametric EQ

ZNR

(

Noise Reduction System

)

●

Windows

is a registered trademark of Microsoft Corp.

●

Mac and Macintosh are registered trademarks of

Apple Inc.

●

Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH.

●

All

other trademarks, product names, and company names mentioned in this documentation are the property

of their respective owners.

●

All features and speciﬁcations are subject to change without notice.

May 2008 Printed in China.

ZOOM CORPORATION

ITOHPIA Iwamotocho 2chome Bldg. 2F,

2 Iwamoto-cho, Chiyoda-ku, Tokyo 101

0032, Japan

TEL:

5835

2206 FAX:

5835

2201 E-mail: [email protected]

BASS AMP

>>>

Ampeg SVT

810E

All-tube bass ampliﬁer incorporating original

Super Valve Technology. Thanks to its gutsy

drive sound, this has remained one of the

most popular bass amps ever.

Marshall 1992 Super Bass

1935A

A vintage tube amp featuring the

characteristic warm and mild Marshall

overdrive sound. Great for the active bass

player leading a band.

SWR SM

900

Goliath

By mounting a tweeter in the speaker cabinet,

this bass amp succeeds in combining a rich

low end with clear highs. Very popular among

slap bassists.

Ampeg B



15" combo

Vintage combo amp preferred by James

Jamerson. Creates a warm and rounded bass

tone often heard on Motown records of the

1960s.

Acoustic 360

301

Solid-state amp embraced by many top

bassists of the seventies and eighties such as

Jaco Pastorius and John Paul Jones. Boomy

midrange and warm low end are its major

features.

Aguilar DB750

GS410

High-class handmade bass ampliﬁer endorsed

by many of the world's top-level bass players.

Clear outline and powerful, clean bass sound

are its hallmarks.

Hartke HA3500

4.5XL

With its aluminum-cone speaker, this classic

bass amp and cabinet achieve clear

reproduction over the entire range. Famous

for great response and transparent sound that

preserves the original character of the

instrument, this was the sound that Jaco

loved.

Polytone Mini Brute Ⅲ

Compact vintage combo amp with a single

15-inch speaker. Characterized by a distinct

midrange, the setting is great for Jazz

sessions.

Gallien Krueger 800RB

401RBH

Best-selling model used extensively by Rock

and Heavy Metal bassists. Renowned for its

gutsy punch and solid bass sound.

Fender Bassman 100



12" cabinet

Tube ampliﬁer with silver faceplate from the

early days of the electric bass. Creates a

vintage bass sound that is a perfect match for

vintage playing.

Trace Elliot AH

500

1048H

1518

British-made bass amp with a ﬁrm core and

distinct contours. Makes phrases ﬂow cleanly

and smoothly for Rock and Pop.

Walter Woods M300

Bag End S

12B

This bass amp gives prominence to the original

sound and brings out the character of the

instrument. The smooth and natural sound is

favored by many upright bass players.

PREAMP / STOMP BOX

>>>

Tube Preamp

(

Zoom original

)

Simulates a high-class tube preampliﬁer like

those used in recording studios. Creates a solid

yet smooth and supple sound.

Sansamp Bass Driver DI

This amp simulator recreates the characteristic drive

feeling of a tube device. It is a favorite choice of bass

players both for live playing and for recording.

Ibanez TS9 Tube Screamer

Stomp box often used as booster for tube amps.

Produces natural overdrive sound that clearly

brings out those picking nuances.

Boss ODB

The ODB-3 is designed speciﬁcally for bass and

belongs to the famous Boss OD series of

overdrive stomp boxes. It produces aggressive

overdrive characterized by ﬂashy highs.

MXR Bass D.I.

Foot pedal type preamp incorporating a clean

channel and a distortion channel. The B9.1ut

simulates the sound of the distortion channel

with its solid body.

Dallas-Arbiter Fuzz Face

Fuzz pedal famous for its unique round "face"

design. Aggressive vintage fuzz sound fueled

by the energy of germanium diodes.

Boss MT

Extreme distortion pedal for the ultimate metal

domain. Characteristically fat distortion in the

mid and low range creates ultra long sustain.

Electro-Harmonix Big Muﬀ

Since its introduction in 1968, this vintage fuzz

pedal has fascinated many great bassists. Long

sustain and thick, sweet distortion are its most

prominent characteristics.

Digital Fuzz

(

Zoom original

)

This digital fuzz eﬀect developed by Zoom will

go places where analog simply can't. Its "broken"

quality ushers in a new fuzz generation.

Manufacturer names and product names are

trademarks or registered trademarks of their

respective owners. The names are used only to

illustrate sonic characteristics and do not indicate

any aﬃliation with the Zoom Corporation.

●Eﬀect Types：112 ●Eﬀect Modules：10 ●Maximum Simultaneous Eﬀects：10 ●Patch Memory：User 80

Preset

80, Total 160 ●Sampling Frequency：96kHz ●A

D Conversion：24bit, 64times over-sampling ●D/A Conversion：

24bit,128times over-sampling ●Signal Processing：32bit ●Frequency Response：20Hz



40kHz

1.0dB、



3.0dB

（10kΩload） ●Bass Input：1

4" phone jack（Rated input level：



10dBm, Input impedance：1MΩ） ●AUX Input：1

stereo phone jack（Rated input level：



10dBm, Input impedance：10kΩ） ●External Return：1

4" phone jack（Rated

input level：



10dBm

4dBm） ●Line Output（L

MONO, R）：2



4" phone jack（Maximum output level：

11dBm

Output load impedance：10kΩ or more, Output Impedance：1kΩ or less） ●Headphone Output：1

4" stereo phone

jack（Rated output: 60mW

32Ω load, 20mW

300Ω load, Output impedance：47Ω） ●External Send：1

4" phone

jack（Rated output level：



10dBm

4dBm） ●Balanced Output：2



XLR Connector（Output impedance：100Ω

HOT

GND, COLD

GND; 200Ω

HOT

COLD） ●Control Input：Foot Switch

Expression Pedal ●Tube Circuitry：

12AU7 ●MIDI：IN

OUT ●USB Interface：16bit, 32kHz

44.1kHz

48kHz ●Display：2digit 7segment LED, backlit

LCD ●Power Requirements：DC12V, 3A ●Dimensions：515（W）



235（D）



81（H）mm ●Weight：4.5kg ●Supplied

Accessory：AC adaptor（AD

13） *0dBm=0.775Vrms

1 2

BASS EFFECTS CONSOLE 1

Inhaltsverzeichnis

Seite 1 - BASS EFFECTS CONSOLE

BASS EFFECTS CONSOLEREAR PANEL21 AMP / STOMP BOX MODELSEFFECT LISTB9.1ut SPECIFICATIONS COMPCompressor Dual CompM Comp Limiter WAH/EFX1Auto Wah A

Seite 2

AUX IN jacks accommodate external sourcesExternal sources such as a CD or MP3 player can be connected to the AUX input for use as backing in a jam se

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