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ZOOM G2

Foot switch pressed

Pressed again

Original sound

Delay sound

Hold

Using an Optional Foot Switch or Pedal

The G2 is equipped with a [CONTROL IN] jack designed for connection of an optional foot switch or

expression pedal. This section explains how to use these accessories.

Using the foot switch (FS01)

Connecting the optional foot switch FS01 to the

[CONTROL IN] jack allows changing banks with

the foot switch while the unit is in play mode. It is

also possible to switch bypass/mute on and off,

control the tap tempo function, or perform other

functions with the foot switch.

1. Plug the cable from the FS01 into the

[CONTROL IN] jack, and then turn the

G2 on.

2. Set the Module selector to the

"CONTROL" position.

The G2 goes into edit mode. You can now make

settings for the expression pedal and foot switch.

3. Turn Parameter knob 2 to select one

of the following functions for the foot

switch.

● bP (bypass/mute)

The foot switch controls bypass or mute on/off.

This has the same effect as pressing both [

W]/

[

Q] foot switches at the same time in play

mode.

● tP (tap tempo)

Pressing the foot switch repeatedly can be used

to set the interval for the rhythm function or to

make settings for effect parameters supporting

the tap function. This has the same effect as

pressing the [TAP] key.

● bU (bank up)

Each push of the foot switch switches to the

next higher bank. This has the same effect as

pressing the BANK [+] key.

● rH (rhythm on/off)

The foot switch controls start/stop of the

rhythm function. This has the same effect as

pressing the RHYTHM [

R/P] key.

● dH (delay hold)

The foot switch controls on/off of the delay

hold function. When a patch using the hold

function is selected, pressing the foot switch

will activate hold, causing the current delay

sound to be repeated (see illustration below).

Pressing the foot switch once more cancels the

hold condition, and the delay sound will decay

normally.

Using an Optional Foot Switch or Pedal

ZOOM G2

● dM (delay input mute)

Switches the delay module input muting

between on and off.

HINT

• For information on effect parameters supporting the

tap function, see pages 23 – 29.

• To use the hold function, an effect type that

supports the hold function must be selected in the

patch. For details, see pages 23 – 29.

•While the delay module is set to hold or mute, the

dot in the center of the display flashes.

4. Select the patch in play mode and

operate the foot switch.

The selected function will be activated. This

function applies to all patches.

Using the expression pedal

(FP01/FP02)

Connecting an expression pedal (FP01/FP02) to

the [CONTROL IN] jack allows using it as a

volume pedal or for adjusting an effect parameter

in real time.

The function selection for the expression pedal is

saved for each patch individually.

For information on parameters that can be

adjusted with the expression pedal, please refer to

pages 23 – 29.

1. Plug the cable from the expression

pedal into the [CONTROL IN] jack,

and then turn the G2 on.

2. Select the patch for which you want

to use the expression pedal.

3. Set the Module selector to the

"CONTROL" position.

The G2 goes into edit mode.

4. Turn Parameter knob 1 to select one

of the following modulation targets

for the expression pedal (see page

30).

● oF

Pedal is inactive.

● VL

Volume

● WU, Wd, WH, WL

WAH/EFX module

● GU, Gd, GH, GL

DRIVE module

● MU, Md, MH, ML

MOD/SFX module

● dU, dd, dH, dL

DELAY module

● rU, rd, rH, rL

REVERB module

HINT

•Which parameter changes when the expression

pedal is operated depends on the selected module.

For details, see pages 23 – 29.

• The pattern in which the expression pedal alters the

parameter can be selected in edit mode. There are

four choices (

→ p. 30).

5. If necessary, save the patch.

The expression pedal setting is saved as part of

the patch.

6. Select the patch in play mode and

operate the expression pedal.

The selected function will be activated.

In the bypass condition, the expression pedal

always operates as a volume pedal, regardless of

the setting made in step 4.

1 2 ... 5 6 7 8 9 10 11 12 13 14 15 ... 18 19

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