
OPTIONAL ACCESSORIES
RECORDER
Physical Track 10tracks
Virtual Track 100 (10 virtual takes / track)
Master Track 2tracks (stereo) x 10V-takes
Drum Track 2tracks (stereo)
Bass Track 1track (mono)
Simultaneous Recording 6tracks
Recording Data Format 16bit linear with NO compression
Recording Time 60track-hours
Marker 100 / project
Locater Scrub / Preview, A–B repeat
Location Display Hour / Min. / Sec. or Meas. / Beat / Tick
Track Edit Copy, Paste, Move, Erase, Exchange, Bounce, Trim, Fade in/out
Reverse, Capture / Swap, Time Stretch / Compression
Punch In / Out Auto / Manual
Phrase Loop 100phrase / project
Phrase Edit Start / End, Measure, Name, Level
MIXER
Input Channel 19channels (13tracks + 6inputs)
Simultaneous playback 13tracks (10 audio + stereo drum + mono bass)
Scene Memory 100scenes / project (Linkable to marker)
Fader 12 (1– 8 mono, 9/10 stereo, Drum, Bass, Stereo Master)
Level Meter 10segments x 20bar (Pre / Post fader selectable)
Track Parameter Equalizer, Effect send, Pan(Balance at stereo link)
Equalizer High (f : 500Hz – 18kHz, Gain:
+
–
12dB)
Low (f : 40Hz – 1.6 kHz, Gain:
+
–
12dB)
Effect Send Chorus / Delay send level, Reverb send level
Stereo Link 1/2, 3/4, 5/6, 7/8 tracks selectable, 9/10 tracks fixed
EFFECT
Algorithm 5types (Guitar / Bass, Mic, Line, Dual, Mastering)
Effect Type 94types
Effect Module 4 (Compressor, Pre-amp / Drive, EQ, Modulation / Delay)
Max. Simultaneous Effect 6types
Effect Patch 320 (220factory + 100blank)
Send Return Effect 2modules (Reverb, Chorus/Delay)
Send Return Patch 40patches (Chorus/Delay20 + Reverb20)
Mastering Effect 4modules (3band compressor / Lo-Fi, 3band EQ,
Normalize, Dimension / Resonance)
Tuner Auto chromatic, Calibration 435–z (1Hz resolution)
DRUM & BASS
Data format 16bit linear PCM
Drum Kit 127kits (50 factory + 77default)
Drum Sound Generator 36sounds/kit (12pads x 3bank)
Bass Sound Generator 26sounds (each 5octaves)
Polyphony 30voices (Drum + Bass)
Drum Pad 12velocity (touch) sensitive pads, self lighted
Resolution 48PPQN
Odd Meter 1/4 – 8/4
Song 10songs / project
Pattern 511patterns (403factory, 108blank)
Maximum Bar 999bars / song, 99bars / pattern
Maximum note Approx. 20,000notes (events) / song
Tempo 40.0 – 250.0
User
Interface
Comfortable logical operation
The MRS-1266 was designed with ergonomics in mind.
All the functions and buttons are logically positioned.
Level meters and tracking info is displayed on dedicated
back-lit displays. The inputs and outputs you use the
most-guitar/bass, headphone, sub-out, expression
pedal, and foot switch--are all located on the front of
the chassis.
Wide array of inputs and outputs
The MRS-1266 has two balanced XLR terminals for
low-noise mic input. Six 1/4" jacks are included for
mic or line input. XLR Phantom power allows you to
use high quality condenser mics. In addition to stereo
RCA PIN jacks, an S/P DIF optical digital output is
available, so that digital data can be transferred directly
to DAT or Mini-Disk recorder. Any number of tracks can
be assigned to the front panel sub-out for a separate
monitor mix, or you can use the sub out for a second
pair of headphones.
Expandability
The MRS-1266 is fully MIDI compatible. With MIDI IN/
OUT you can use external MIDI devices to program
the 1266's drum and bass patterns, or use MIDI out to
control external devices. By installing an optional USB
interface, you can access all the data on the hard drive
from Windows or Macintosh computers. Data back-up
and data file storage, as well as data exchanges with
DAW software, can be performed smoothly.
CD
-
01
CD-R/RW Drive
•ATAPI / 5inch bay type,
Buffer Under-run Error Protection Supported.
FRONT PANEL
SPECIFICATIONS
• Project : Maximum 1000 • Hard Disk : E-IDE / 3.5 inch 20GB • CD-R/RW Drive : ATAPI / 5 inch bay type, Buffer Under-run Error Protection Supported • A / D Conversion : 24 bit 64 times over-sampling • D / A Conversion : 24 bit 8 times over-sampling
• Sampling Frequency : 44.1kHz • Signal Processing : 24bit • Frequency Response : 20Hz –20kHz /
+_
1dB (At 10k load) •S / N : 93dB (IHF-A) •Dynamic Range : 97dB (IHF-A) • THD
+
N : 0.02% (400Hz, At 10k load) • Display : 96 x 63mm original
LCD (with back light) • Guitar / Bass Input (Hi-Z) : 2 x 1/4" Monaural Phone Jack, Input Impedance 500k •Line (Unbalance) input : 6 x 1/4" Monaural Phone Jack, Input Impedance 50k or more •XLR(Balanced) Input : 2 x XLR-3-31 type, Input
Impedance 1k , 2nd Hot • Phantom Power : 48V (with On/Off switch) • Input Level : –50dBm < Variable <
+
4dBm • Master Out : L / R RCA PIN Jack, Output impedance 1k , Rated Output Level –10dBm • Digital Out : S / P DIF Optical (20bit) •
Headphone Out : 1 x 1/4" Stereo Phone Jack, 50mW(at 32Wload) •Sub Out : 1 x 1/4" Stereo Phone Jack •MIDI : In/Out •Control Input : 1 x Expression Pedal, 1 x Foot Switch •Optional Board Slot : 1 •Dimension : 480(W) x 310(D) x 115(H)mm • Weight
: 6.8kg (with CD-R / RW drive), 5.8kg (without CD-R / RW drive) •Power Supply : DC12V 2.5A (AC Adaptor AD-0010 specified) • Power Consumption : 30W (12V 2A) TYP. • Supplied Accessory : Universal AC adaptor AD-0010 •Optional Accessory
: CD-01 (CD-R / RW drive) ,UIB-01 (USB interface board) , FS-01 (Foot switch) , FP-02 (Expression Pedal) 0dBm = 0.775Vrms
REAR PANEL
UIB
-
01
USB Interface Board
•Windows
®
, Mac OS compatible.
Expression Pedal FP02
•To control effect parameters.
Foot Switch FS01
•Unlatch and normally close type.
ZOOM Corporation
Noah Bldg.1F, 2
-
10
-
2 Miyanishi-cho, Fuchu
-
shi, Tokyo 183
-
0022, Japan.
TEL :
+
81
-
42
-
369
-
7116 FAX :
+
81
-
42
-
369
-
•Specifications subject to change without notice. September 2002 Printed in Japan.
MultiTrak Recording Studio
MRS
-
1266
•Optional CD-R/RW Drive
MultiTrak Recording Studio
MRS
-
1266
CD
•Built in CD-R/RW Drive
The Zoom MRS
-
1266 sets your ideas free.
No longer must your musical ideas remain prisoners of your mind.
Zoom gives you all the tools of a professional recording studio, in an easy-to-use table-top unit.
With the new MRS-1266, your only limit is your imagination.
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